Signatures of Artists

Signatures of Byzantine Painters in Macedonia: Deciphering the Astrapades Code, in: Artista anónimo, artista con firma. Identidad, estatus y rol del artista medieval, ed. M. Castiñeiras, UAB, Barcelona, 2016 (forthcoming).

Byzantine Studies / Byzantine Iconography / Byzantine art / Byzantine and Postbyzantine Murals / Byzantine painting of the Paleologue period / Ohrid / Byzantine painting / Mihail Astrapa / Staro Nagoricino / Michael Astrapas / Staro Nagoričino / Palaeologan Art / Signatures of Artists / Perivleptos church in Ohrid / Late Palaelogan period / Signatures of artists in medieval paintings / Ohrid / Byzantine painting / Mihail Astrapa / Staro Nagoricino / Michael Astrapas / Staro Nagoričino / Palaeologan Art / Signatures of Artists / Perivleptos church in Ohrid / Late Palaelogan period / Signatures of artists in medieval paintings

« Las inscripciones con \"me fecit\": ¿Artistas o comitentes? », Románico: Revista de arte de amigos del románico (AdR), número 20, Me fecit: Comitentes, artistas y receptores del Románico, 2015, p. 106-112.

Romanesque Art / Medieval Epigraphy / Signature Inscriptions / Medieval Artists / Signatures of Artists

\"La obra de arte como acontecimiento: el comitente como autor”, Románico. Revista de Arte de los Amigos del Románico, 20, 2015, pp. 58-67.

Romanesque Art / Authorship / Patronage (Medieval Studies) / Romanesque Sculpture / Romanesque pictorial arts / Medieval Manuscript Illumination / Medieval Artists / Theophilus Presbyter / Art and Agency / Signatures of Artists / Medieval Manuscript Illumination / Medieval Artists / Theophilus Presbyter / Art and Agency / Signatures of Artists

Signatures of Byzantine Painters in Macedonia: Deciphering the Astrapades Code, in: Artista anónimo, artista con firma. Identidad, estatus y rol del artista medieval, ed. M. Castiñeiras, UAB, Barcelona, 2016 (forthcoming).

Byzantine Studies / Serbian history / Byzantine Iconography / Byzantine Archaeology / Byzantine art / Late antique and Byzantine arms and armours / Ohrid / Late Byzantine Thessaloniki / Mihail Astrapa / Staro Nagoricino / king Milutin / Byzantine history and archaeology / Panselinos / Michael Astrapas / Byzantine Thessaloniki / Palaeologan Art / Signatures of Artists / Perivleptos church in Ohrid / Signatures of artists in medieval paintings / Late antique and Byzantine arms and armours / Ohrid / Late Byzantine Thessaloniki / Mihail Astrapa / Staro Nagoricino / king Milutin / Byzantine history and archaeology / Panselinos / Michael Astrapas / Byzantine Thessaloniki / Palaeologan Art / Signatures of Artists / Perivleptos church in Ohrid / Signatures of artists in medieval paintings

Art i Artistes a l\'època romànica, Manuel Castiñeiras, Jordi Camps (eds), Besalú, 2015. Sintesi. Quaderns dels Seminaris de Besalú, 3, 2015

Medieval Architecture / Romanesque Art / Medieval Art / Romanesque architecture / Romanesque Sculpture / Medieval Wall Paintings / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Romanesque pictorial arts / Medieval metalwork / Historic Pigments and Binding Mediums / Medieval Manuscript Illumination / Medieval Artists / Theories of Authorship / Signatures of Artists / Medieval Church Treasuries / Medieval Wall Paintings / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Romanesque pictorial arts / Medieval metalwork / Historic Pigments and Binding Mediums / Medieval Manuscript Illumination / Medieval Artists / Theories of Authorship / Signatures of Artists / Medieval Church Treasuries

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